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POSTPONED – Performing Memory: Artistic Production and Religious Practice at the Kofukuji Nan’endo – with Yen-Yi Chan

20 April — 6:45 pm

 

Nan’endo (Southern Round Hall) of Kofuku-ji temple in Nara (by tak1701d – wikipedia)

Monday 20 April 2020          6.45pm

The Swedenborg Society
20-21 Bloomsbury Way (Hall entrance on Barter St)
London WC1A 2TH

For a PDF map of the venue please click here

Please note that this lecture has been postponed due to the current situation with COVID-19. The new date for the lecture is Monday 20 July (book online here). We apologise for the inconvenience and look forward to seeing you at the event in July. Please visit our website to keep updated about others upcoming events and activities. Thank you for your understanding.

Situated in a bustling area of Nara City, the Nan’endo (Southern Round Hall) is an eight-sided structure at Kofukuji temple. The history of the Nan’endo began in the ninth century and has been linked to the prominent Northern Fujiwara clan. This talk explores the interplay between memory and materiality, examining the process in which memory of the Northern Fujiwara clan became identified with the Nan’endo and was transformed and reshaped along with the history of the hall from the ninth to the eleventh century. It analyzes how visual production and memorial rituals at the site expressed religious piety, marked kinship relationship and created memories of ancestors as well as narratives of family history. Attention is also given to setsuwa tales of the Nan’endo and replications of the building, which indicate the transformation of the site into a miraculous space. While derived from Buddhist devotion, such a transformation manifests an ever-changing familial “memoryscape” that was framed in and embodied by the hall and its images.

Yen-Yi Chan is currently a Robert and Lisa Sainsbury Fellow at the Sainsbury Institute for the Study of Japanese Arts and Cultures. She obtained her Ph.D. from the University of Kansas in 2018. Her research is situated at the intersection of art, religion, and social history with a focus on how visual production at Buddhist sites shapes social relations, human memory, and collective identity. She is also interested in artistic exchanges between Japan and China, reconstruction of Buddhist heritage sites, and creation of images of “living Buddhas (shojin butsu)” in the medieval time. Yen-Yi also has worked at the National Palace Museum in Taipei, Taiwan and Spencer Museum of Art.

 

 

Details

Date:
20 April
Time:
6:45 pm
Event Category:
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