The Japan Society Review

By Kobayashi Erika Trinity, Trinity, Trinity takes place during the run up to the 2020 Olympics and centres on a grandmother suffering from dementia, in addition to her daughter, who seems to be on the verge of her own form of physical and mental breakdow. Review by Chris Corker

By Murakami Haruki Murakami writes this flash-fiction story for The New Yorker focusing on a dramatic conversation that is overheard next to a pool. Review by Azmina Sohail

Directed by Yamazaki Takashi Closing in on the 70th anniversary of the franchise, this film is not only a return to a Godzilla with the presence to incite terror and to a landscape ravaged by war, but also a return to the true cautionary warning that Godzilla embodies: the pitfalls of unshackled progress. Review by Chris Corker

By Yu Miri A multi-generational, multilingual epic by the National Book Award Winner and bestselling author and translator of Tokyo Ueno Station. Review by Laurence Green

By Miyazawa Kenji A collection of enchanting and enigmatic Japanese fairy tales by one of Japan's most beloved early twentieth-century writers. Review by Renae Lucas-Hall

Directed by Melly Still The latest stage adaptation of Murakami Haruki’s novel Sputnik Sweetheart demonstrates the malleable power of the theatre as a storytelling medium. Review by Michael Tsang

The autumn season offers an excellent opportunity to spend more time reading books or watching films at home. The October issue of The Japan Society Review is here with some suggestions for you to enjoy in the warmest spot of the house watching the rain from the window.

By Fukuda Haruko Told with the crisp, breezy matter-of-factness of a historian, the emotion nevertheless comes through strongest in the remarkable vividity in which Fukuda’s family story is conveyed in the text. Review by Laurence Green

Whole Hog Theatre in association with Park Theatre Based on the stereotype-defying anime and novel from world-renowned filmmaker Shinkai Makoto, The Garden of Words presents a refreshing and original take on the story of the serendipitous encounter between two social misfits. Review by Laurence Green

Directed by Hamaguchi Ryusuke Based on a Murakami Haruki’s story, Oscar winning film Drive My Car explores issues related to individual, national and international trauma through a curated film style and aesthetics. Review by Michael Tsang