The Japan Society Review

Directed by Amy Draper Usagi Yojimbo, presents an adventurous rabbit samurai and teaches us of war, responsibility and honour in Edo period Japan – austere subjects made delightfully light with the addition of rabbit ears. Review by Annabelle Sami

SIRO-A are a six member group originally from Sendai. Their unusual performance can only be described as an amazing blend of dance, music and technology, as the boundaries between [...] Review by Michael Sullivan

By Mike Poulton with Sho Kawai This inspiring play brings his story to life in a production written by Mike Poulton and Shoichiro Kawai, and directed by Gregory Doran (Royal Shakespeare Company’s Artistic Director). An international supporting cast includes [...] Review by Michael Sullivan

By Mike Poulton with Sho Kawai This production opened on 31 January, the date of Ieyasu Tokugawa’s birthday, marking 420 years since his birth. It is a completely bilingual production combining the talent of [...] Review by Susan Meehan

By William Shakespeare (Yukio Ninagawa’s production at the Barbican, London, 29 May 2012 to 2 June 2012) Review by Susan Meehan I was expecting this version of Cymbeline to display Yukio Ninagawa’s trademarks – unparalleled stage scenery, plush costumes and a magical ending. I was not disappointed. However, having recently enjoyed 11 Shakespeare plays […]

Conductor and translator Toru Sasakibara, director Kyoko Fujishiro, original script and music by W.S. Gilbert & A. Sullivan For the first time ever a Japanese theater company came to the UK to perform the Mikado in Japanese to an enthusiastic British audience. The lively and brilliantly colourful production was part of the 2006 International Gilbert & Sullivan Festival in Buxton, Derby. It perfectly blended Japanese and British elements to create an astonishingly successful hybrid which was true to the original, while incorporating some crowd-pleasing Japanese innovations. Review by Sean Curtin

Directed by Yukio Ninagawa, produced by Horipro Inc and the Saitama Arts Foundation in association with Thelma Holt As part of the Royal Shakespeare Company's the Complete Works Festival, legendary director Yukio Ninagawa's Japanese language production of Shakespeare's bloodiest play was transported around the globe to Stratford-upon-Avon for just ten performances. Although Titus Andronicus is not so frequently performed, it's a strangely compelling tale of intense violence and horrific retribution. Ninagawa masterfully utilizes these extremes to create a brilliant new interpretation which creates the illusion that Japanese is Shakespeare's original language. Review by Sean Curtin